Oud tuning and string replacement
July 10, 2021 I found out that the order in which Oud strings are connected to their pegs when replacing the strings is important for a few reasons. It makes the neck look pretty, but more importantly, it makes the tuning more accurate when replacing strings, because it becomes easier to make sure that strings are not touching each other. This is how the pegbox looks like: Start by connecting strings to the bridge in the following order. Oud strings tunning is as follows: Sources: +---------------------+
| |
| +-----+----------+
| | |
| | |
+-----------+----+ +-----+----------+
| Do Bass |
| C Bass +-----+----------+
+-----------+----+ | Sol 1 |
| | G1 |
| +-----+----------+
+-----------+----+ |
| Sol 2 | |
| G2 | |
+-----------+----+ +----+-----------+
| | La 2 |
| | A2 |
+-----------+----+ +----+-----------+
| Ré 2 | |
| D2 | |
+-----------+----+ +----+-----------+
| | La 1 |
| | A1 |
+-----------+----+ +----+-----------+
| Ré 1 | |
| D1 | |
+-----------+----+ +----+-----------+
| | Do 2 |
| | C2 |
| +----+-----------+
+-----------+----+ |
| Sol 2 | |
| G2 | |
+-----------+----+ +----+-----------+
| | Do 1 |
| | C1 |
+-----------+----+ +----+-----------+
| Sol 1 | |
| G1 | |
+-----------+----+ |
| |
+---------------------+
Replacing strings
Strings to bridge
Strings to pegbox
Oud tuning
[ Do / C ] ---------------------
[ Sol / G ] ---------------------
[ Sol / G ] ---------------------
[ La / A ] ---------------------
[ La / A ] ---------------------
[ Ré / D ] ---------------------
[ Ré / D ] ---------------------
[ Sol / G ] ---------------------
[ Sol / G ] ---------------------
[ Do / C ] ---------------------
[ Do / C ] ---------------------